Montana Cans LOOKBOOK 2024 – back in black! We’re happy to unveil the Montana Cans LOOKBOOK for 2024, and this edition is particularly special! It’s been an exhilarating year, filled with events, collaborations, and of course, our continuous commitment to fostering the vibrant culture of graffiti and street art. The past year, we’ve journeyed through numerous Jams and events, championing the graffiti culture and creating opportunities for artists to interact and showcase their work. Our involvement ranged from facilitating platforms for emerging talents to celebrating the contributions of legendary figures in the graffiti world. And let’s not forget, we also expanded our innovative product lines! #montanacans #germanspraypaint
https://www.montana-cans.blog/the-new-montana-cans-lookbook-2024/↗
MONER Nantes, FR MONER
MONER Nantes, FR MONER @jean_moner Introducing Graffiti artist MONER LOCATION PHotography PROFILE In the heart of Nantes, France, graffiti artist MONER has been transforming the city’s landscape since 2009. With a passion for blending traditional graffiti with innovative twists and vibrant colors, MONER’s work stands out in the bustling streets. He’s not just an individual artist but a proud member of several crews, including Cartel 29, Hell’S Boys, Out Of Control, and Virtual TimeS, each adding a unique flavor to his creative journey. 56 Artist in focus MONER
MONER’s art is a dynamic dialogue with the urban environment, where each piece tells a story through its bold colors and imaginative designs. He pushes the boundaries of graffiti by experimenting within different styles, creating a universe that’s both familiar and groundbreaking. His pieces are more than just visual treats; they invite viewers to explore deeper narratives woven into the fabric of the city. His pieces are more than just visual treats; they invite viewers to explore deeper narratives woven into the fabric of the city. When the letters are fresh, who needs outlines? YUCKA and MONER are demonstrating efficiency while concentrating on the essentials. A good piece interacts with its surroundings. There is no need to overcomplicate a style when the background structure already provides lots of lines. After all, the impact is a question of composition. Artist in focus MONER 57
