↑ A David von Bahr work, in the still of winter. Is it aggressive, or is it spontaneous? With the Ultra Wide cans, the lack of friction during application leaves the viewer guessing. Go big or go home, right? Not exactly. Any new medium is essentially no more than a tool. Go big or go home, right? Not exactly. Any new medium is essentially no more than a tool. However, a particular use case may be intended during the development. Artists, on the other hand, like to play with ideas. Thus, there has been an extreme countertrend. Instead of strict outdoor use, Ultra Wide has been introduced to the studios, too. Think of works by David von Bahr, for instance. Stark contrasts dominate his paintings which exude impulsivity, spontaneity, and even hints of aggression. All facilitated by the frictionless paint application. Ultra Wide is an instrument that can create a distinct look. The outcome, nonetheless, depends on the specific context. Whether these aesthetics are consciously highlighted or just a by product is up to the artist. No loose ends! ← A ductus that is as chaotic as it is beautiful. The marks of the Ultra Wide cans bring the streets to the studio and beyond. → Abstract markmaking or palm trees in black? With the Ultra Wide can, the viewer's interpretation is as open as the tool that created it. 136 Products Montana-cans.com
Products montana-cans.com 137
021 EDITION #06 MONTANA-CANS LOOKBO
photography by edward nightingale
photography by edward nightingale
photography by Musa
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